The Hilliard Museum
Dec 27-May 6, 2017Publication
with essays by Art Historian Christopher Bennett. Roundtable discussion with Bennett, Laura Blereau
As an artist Lee conceives the garden as a space of contemplation; it is also, like life itself, in her estimation, improvised. Inspired by more formal gardens, such as Soswaewon Garden in South Korea or The Master of Nets Garden in Suzhou, China, Lee is particularly drawn to the ponds located within gardens. She describes such a pond as almost a kind of empty space, reflecting whats around it.
The exhibition Make of / Make do surveys Lees production from 1997 to 2014 and includes her most recent works of 2015-17. In these later pieces, the themes of her earlier gardens and ponds undergo projection onto the vertical plane of the wall and onto new landscape features, such as mountains.
Lees art is defined by a dynamic tension between the spontaneous and potentially endless process of making use of salvaged and commonly available materialsand the arrival at a finely-tuned, definitive external structure.
Dr. Christopher Bennett
Guest Curator and UL Lafayette Department of Visual Arts Faculty