New York | OhioRECENT...Worlds Apart, Allen Memorial Art Museum, Oberlin College Video Trailer
July 28-Dec 23, 2018THE BEND, Gund Gallery, Kenyon College
April 23-May 27, 2018Make of / Make do, The Hilliard Museum, Lafayette, LAPublication
with essays by Christopher Bennett, Laura Blereau
Dec 27-May 6, 2017Reverse the Perspective, XiangSi Art Museum, Tianjin, China
Sept 13-Nov 15, 2015
In his book Defiant Gardens
, Kenneth Helphand discusses how the power of a garden can intensify when created in inhospitable environments; the disparities between the setting and action can highlight the great humanity in the activity of making a garden in the midst of extreme change.
My parents are war survivors and my exploration into my familys divided history has led me to make work in South Korea, supported by a grant from the Asian Cultural Council. I thought about the wounded landscape and how the potential of a garden, its resilience comes through in these defiant conditions. Two waters
started at the Chinese-European Art Center in Xiamen, traveled to the Brooklyn Botanic Garden, and then Art Space Pool in Seoul. Nominated for a Smithsonian Institute Artist Research Fellowship and the Sindoh Artist Support Program in Seoul, I conceived the project as a place for reflecting on the changed historical landscape, created mainly from industrial rubble collected in the cities.
Then, living and working in Beijing, neighborhoods underwent constant demolition and communities relocated, including my own. I saw many temporary structures built and re-built, including make-shift stands, small impromptu gardens, and improvised spaces. At the same time I studied traditional Korean and Chinese gardens, a space of contemplation including a large central pond that reflects back its surroundings. These experiences inspired the garden hacks I create. I combine industrial materials with hand-made traditions in order to explore the dissonance I experience between the two.
Struggles in daily life, material culture, simple defiant gestures, and transformation drive my work. My sculptures and installations have been a TIME OUT NEW YORK Critic's Pick, and discussed and featured in The New York Times, Artnet Magazine, Boston Globe, Harpers Bazaar Seoul, World Journal, and Trendebeheer, among others.
I currently run the Expanded Sculpture program at Kenyon College
. Previous posts include Directing the Masters Preparation program in Beijing, a collaboration with Chelsea College of Art, University of the Arts London
, created in 2011. NEWS...The Book of Stamps
is on view at Wu Jin Bookshop, Beijing, Arrow FactoryDada Post, Berlin
, Group Exhibition
October 20-November 11, 2012VOLTA NY
with HomeBase Project, Booth #PO-2
March 8-11, 2012 2012 Smithsonian Artist Research Fellowship Nominee
, Smithsonian, Washington DC Time Out New York
, Critic's PickInterview
on "Two Waters"
Feature in Harper's Bazaar, Seoul and magazine.co.kr
2012 SINAP Art Award Nominee, Sindoh Artist Support Program, Seoul
Panel: Hans Ulrich Obrist, Dongyeon Koh