Gambier | New York
ON VIEW / UPCOMING...
THE BEND, Gund Gallery, Kenyon College, OH (April 23-May 27, 2018)
Worlds Apart: Nature and Humanity Under Deconstruction, Allen Memorial Art Museum, Oberlin College (July)
RECENT...
The Hilliard Museum, Lafayette, LA
Dec 27-May 6, 2017
Publication with essays by Art Historian Christopher Bennett. Roundtable discussion with Bennett, Laura Blereau
Lab 47, Beijing, China
Reverse the Perspective, XiangSi Art Museum, Tianjin, China
September 13-November 15, 2015
DRAW: Mapping Madness, Inside-Out Museum, Beijing
December 13-March 1, 2014
Article: "DRAW: Mapping Madness at Inside-Out Museum in Beijing
Scroll down for more
...
Two waters started at the Chinese-European Art Center in Xiamen, traveled to the Brooklyn Botanic Garden, and then Art Space Pool in Seoul. Nominated for a Smithsonian Institute Artist Research Fellowship and the Sindoh Artist Support Program in Seoul, I conceived the project as a place for reflecting on the changed historical landscape, created mainly from industrial rubble collected in the cities.
Living and working in Beijing neighborhoods, I’ve experienced urgent issues related to the gaining and loss of space. Daily observations inform my perspective, and I'm inspired by the power of creating place through small acts of garden making. I take a wide view on what a garden can be, which often includes non-plant materials and constructions. I watch for the intention that may express a person’s relationship with the landscape. Though some may consider gardens ephemeral, I believe these acts continually exist. They are human sentiments that will always be found, despite development, demolition and change in the environment.
My work has been a TIME OUT NEW YORK Critic's Pick, and written about in The New York Times, Artnet Magazine, Boston Globe, Harper’s Bazaar Seoul, World Journal, and Trendebeheer, among others.
I currently run the Expanded Sculpture program at Kenyon College. Previous posts include Directing the Masters Preparation program in Beijing, a collaboration with Chelsea College of Art, University of the Arts London, created in 2011.
NEWS...
The Book of Stamps is on view at Wu Jin Bookshop, Beijing, Arrow Factory
Dada Post, Berlin, Group Exhibition
October 20-November 11, 2012
VOLTA NY with HomeBase Project, Booth #PO-2
March 8-11, 2012
2012 Smithsonian Artist Research Fellowship Nominee, Smithsonian, Washington DC
Time Out New York, Critic's Pick
Interview on "Two Waters"
Feature in Harper's Bazaar, Seoul and magazine.co.kr
2012 SINAP Art Award Nominee, Sindoh Artist Support Program, Seoul
Panel: Hans Ulrich Obrist, Dongyeon Koh
ON VIEW / UPCOMING...
THE BEND, Gund Gallery, Kenyon College, OH (April 23-May 27, 2018)
Worlds Apart: Nature and Humanity Under Deconstruction, Allen Memorial Art Museum, Oberlin College (July)
RECENT...
The Hilliard Museum, Lafayette, LA
Dec 27-May 6, 2017
Publication with essays by Art Historian Christopher Bennett. Roundtable discussion with Bennett, Laura Blereau
Lab 47, Beijing, China
Reverse the Perspective, XiangSi Art Museum, Tianjin, China
September 13-November 15, 2015
DRAW: Mapping Madness, Inside-Out Museum, Beijing
December 13-March 1, 2014
Article: "DRAW: Mapping Madness at Inside-Out Museum in Beijing
Scroll down for more
...
Two waters started at the Chinese-European Art Center in Xiamen, traveled to the Brooklyn Botanic Garden, and then Art Space Pool in Seoul. Nominated for a Smithsonian Institute Artist Research Fellowship and the Sindoh Artist Support Program in Seoul, I conceived the project as a place for reflecting on the changed historical landscape, created mainly from industrial rubble collected in the cities.
Living and working in Beijing neighborhoods, I’ve experienced urgent issues related to the gaining and loss of space. Daily observations inform my perspective, and I'm inspired by the power of creating place through small acts of garden making. I take a wide view on what a garden can be, which often includes non-plant materials and constructions. I watch for the intention that may express a person’s relationship with the landscape. Though some may consider gardens ephemeral, I believe these acts continually exist. They are human sentiments that will always be found, despite development, demolition and change in the environment.
My work has been a TIME OUT NEW YORK Critic's Pick, and written about in The New York Times, Artnet Magazine, Boston Globe, Harper’s Bazaar Seoul, World Journal, and Trendebeheer, among others.
I currently run the Expanded Sculpture program at Kenyon College. Previous posts include Directing the Masters Preparation program in Beijing, a collaboration with Chelsea College of Art, University of the Arts London, created in 2011.
NEWS...
The Book of Stamps is on view at Wu Jin Bookshop, Beijing, Arrow Factory
Dada Post, Berlin, Group Exhibition
October 20-November 11, 2012
VOLTA NY with HomeBase Project, Booth #PO-2
March 8-11, 2012
2012 Smithsonian Artist Research Fellowship Nominee, Smithsonian, Washington DC
Time Out New York, Critic's Pick
Interview on "Two Waters"
Feature in Harper's Bazaar, Seoul and magazine.co.kr
2012 SINAP Art Award Nominee, Sindoh Artist Support Program, Seoul
Panel: Hans Ulrich Obrist, Dongyeon Koh
